Monday, February 28, 2011

The Routers - Superbird / Sack of Woe


Yes, it's those Routers. Or at least it is meant to be in direct lineage of those Routers. The ones that gave us Clap Clap Clapclapclap Clapclapclapclap Let's Go 10 years prior to this 1973 release. I believe both of these are from their Superbird LP, which was sort of like that one Lively Ones album where they come out of nowhere making funk music that sounds nothing like their old stuff. I don't really know that, I've never listened to it.

I also have no idea whether this featured Tommy Tedesco, Hal Blaine or any Wrecking Crew members. I do know that it's produced by Joe Saraceno and Superbird is written by Larry Duncan, like the old Routers, which is why I don't think this is a separate group. But it is a complete break to a very funk sound.

Superbird is the better of the two. Does this surprise you? They named their album after it!


Sack of Woe is a Cannonball Adderly cover, right? Well here it is, slow and funky

Saturday, February 19, 2011

The Champs & The Fabulous Cyclones

RE-UPPED! And since writing this article I HAVE heard a cover of the Champs' Lowdown: by the Surfin' Gorillas (great album too!)

Probably not going to re-up those other songs, but the album link has been updated

This post is going to be easy. While I'm not going to kid myself, most people checking out this blog have some interest in the forgotten art of Rock & Roll and have some sort of savvy, often more than I do, but I explain the albums all the same. The Champs, however.... I think anybody can sing along to Tequila. 

This here's a split LP, though you can hardly tell by the cover. And honestly, the cover is sort of correct in doing so; The Cyclones side is far less fun, but we'll get to that later. Aside from Too Much Tequila, which got a proper 45 single treatment and was on their album Tequila these songs don't really appear anywhere else except for a rarities collection called Wing Ding (in the case of the last three songs) and a Greatest Hits collection which features Streamliner. However, these are excellent tracks, all with the signature Champs sound and with a healthy dose of humor. Club House was the immediate standout to me, and it apparently had some affect on Quintron as well since he did a loose cover on his album "These Hands of Mine". Quintron, why are you so great?






I haven't heard a direct cover of Lowdown myself, but it's got a great slow and dirty vibe to it that reminds me of this Eddie Angel song that I'd might as well throw on here






As for the Fabulous Cyclones, whose name got an even smaller typeface than their song titles on the cover, they're up against some hard competition but the LP is still worth flipping over. It's simple rock & roll instrumentals, reminding me of Joe Houston. If you wanna dance, The Cyclones will provide and you'll have a great time, but if you want something to whistle while walking down the street I'd stick with the A side. The real disappointment here is that the song Moon Journey has no sci-fi tone to it, because with the Quintron mention I would have another rare post fulfilling the Louisiana, Rock & Roll, Sci-fi trifecta in this blog's mission statement. 

this album isn't the cleanest one I've got but the songs are about 97% listenable, the only pops that I found were as one song faded out. Otherwise there's sort of a fuzz going on, but the music prevails. I don't have a back cover included since it says nothign about the album, just other albums on the label. The tracklist looks like:

Side A (The Champs):

  1. Too Much Tequila
  2. Streamliner
  3. Wing Ding
  4. Club House
  5. Lowdown

Side B (The Fabulous Cyclones):

  1. Boogie Guitar
  2. Rocking & Picking
  3. Moon Journey
  4. Blue & Mean
  5. Gone & Out

Re-Upped! go get it here

Tuesday, February 15, 2011

Double Alvin Cash 45s


My love of Alvin Cash is already documented and while these may have slight deviations from what's seen there, each 45 has all of the requirements for an Alvin classic

*High on danceability
*Moronic lyrical content
*Showcasing a stupid dance
*Alvin sounds like a happy dude!
*"Oooh-Wee!"
*"Awwww but you're lookin' good baby!"
*"Awwwwwww have mercy!"

and of course, the Twine still gets nods.

The earlier 45 (1965): the Penguin (Tuxedo Bird)/Un-Wind the Twine is especially close to the content of the twine time LP. Sometimes I think he just goes to the zoo and comes back with all sorts of inspiration

Alvin Cash - The Penguin (Tuxedo Bird)


Unwind the Twine is of course his umpteenth reference to his favorite dance. What rules about this track is that it seems to have a neat little marimba in the background!

Alvin Cash - Unwind the Twine




1967's Doin' the Ali Shuffle / Feel So Good is two years later but does show a little bit of a change. Ali Shuffle (MUCH different from his 1976 Dakar records release) is the more familiar of the two. Still a goofy (but killer) dance, with some of his goofiest lyrics like "I want you to float like a butterfly, baby, and I want you to sting like a bee" duhhhhh



The B-Side instrumental "Feel So Good" honestly doesn't feel so good with me. I like a lot of his earlier instrumentals but this is a little too smooth saxxy. Though I think it demonstrates a pretty good bridge to his later career (he is, after all, now with the Registers when he used to be with the Crawlers, a comment on his age)


It's worth noting that both of these were different producers than his Twine Time days (which means no more Andre Williams). Penguin and Un-Wind the Twine have Hayes, Burrage and J. Jones despite being released around the same time as songs like BARRACUDA. Ali Shuffle and Feel So Good are both produced by Eddie Silvers. I don't know much about either of these guys and I'm so close to hitting "publish post" that I think I might take care of that later.

By the way, here's a pretty good resource of Alvin

I have been lazy

Actually, October 2010 sounds much more recent than I thought my last post was. Well I've been feeling motivated lately and I feel like posting again. And maybe even fixing all those broken links since my home fileserver went down. Maybe even re-ripping a few of the requested reups

Wednesday, October 13, 2010

The Bills live on WTUL



So I had one of our two New Orleans surf bands on my radio show this past week (I've had the other one, the Unnaturals, too, but I don't have that recording). If you're not familiar with them, they had a CD with a handful of great, dirty punk-styled surf called Knife in Yer Gut. I'm pretty sure it's floating around on the internet, and I guess that's OK since they're all out of copies of it.

Well this you won't find elsewhere. Ripped straight from my radio show on a vocal mic that clearly wasn't intended for it, this is RAW AS HELL and as fun as it was in the studio. Which is to say very fun, I've seen them a bunch of times and my own little personal performance there was better than any I've seen.

Get it here

Thursday, September 2, 2010

Euclid Records NOLA Opens

UPDATED: Please read the bottom addendum.

Just as one of my first posts on this blog was a review of a new record store in town, I suppose my comeback will start the same way.

Euclid Records is the baby brother of the legendary St. Louis store, a must-visit if you're around there. James and Brian have been selling out of a little shack just a couple of doors down from their new digs and I'll be honest, their selection was OK, not great. It had me a little worried, but naturally I wouldn't say that unless it was followed with a "THANKFULLY I WAS WRONG"

Wait wait, first things first. It's a beautiful store. Pink and yellow on the outside, outrageous even for the bywater, but the inside is even nicer. Crazy textile-wrapped trees spring up from the center banisters, making it some sort of record swamp, and there's a nice corner with a piano, clearly allowing for an in-store performance. The walls feature some sort of lumberjack mural next to some monkeys throwing money, and naturally a bajillion show posters and big-ticket display records. And on the ceiling of the checkout corner, my $5 bill. First customer. High point was coming back from work, flipping through records and thinking about a nice soda. Then looking to my right and spying a vending machine, ready to spit me out a Mug Root Beer. Casually flippin' and sippin', feels good.

But the meat: what are the records like? Jazz is by far the most vast, though seeing that sort of description sometimes scares me; this is not a store solely for jass nuts. Not even close. The funk section can stand toe-to-toe-with-Dominoe Sound, probably a little more plentiful and sprinkled with choice reissues and impressive originals. The rock section is strong, though hardly even. A lot of great 50s twisters, some Bo Diddley originals!, psychedelic reissues... not too huge on the modern stuff, though that's something that may develop over time.

Right in the center of the store are a couple of boxes of 45s. It wasn't huge, but some really nice things in there: John Lee Hookers, Bo Diddleys!, Rene Hall's Twitchy/Flippin, Ventures picture sleeves, and I picked up a Man...or Astroman? among other things.

This is all referring to vinyl. There is a limited used CD selection with the same all-over-the-place diversity that I love about a used CD selection.

Prices... Frustratingly fair. Not "screw this"-and-leave-with-nothing high, but not "ahhh with prices like these I can't stop spending" low like Domino Sound. I rarely thought "this should be lower" --they were right about where they deserved to be. I just wanted them to be cheaper.

Weaknesses? Small world selection, I could see this neighborhood wanting a little more punk (though the Iron Rail takes care of that pretty well)

So what does this come out to? Great start, and the fact that this is 2 blocks away from me has me nearly restless, almost reconsidering moving to mid-city in a few months. Good store in a neighborhood that I could see taking to it well. I'll be recommending it to others for sure.

UPDATE:
Euclid has unsurprisingly expanded since I came when it first opened. I was there last night and, it's hard to change your opinion about certain things but, I think Euclid now has the best 45 collection of all record stores in the city. They're not cheap, but they're dense with good stuff, moreso than Jim Russell Records and while nothing will get quite as vast as JRR's collection, it's still pretty plentiful. There's a lot more funk, a lot more R&B and a lot more punk than when they opened, including a lot of modern garage to tickle my fancy, not to mention all sorts of Sundazed and Norton reissues. The things on the wall are really worth drooling over and don't pander to the clueless record buyer. For instance, a Pussy Galore bootleg.

Upon opening my impression of Euclid was pretty strong, and I knew it would be on my short list of recommendations. It's on a much shorter list now, to the point where if you had to visit one record store in the city, either Domino or Euclid will suffice.

Friday, June 25, 2010

New Orleans Record Raid July 24th

UPDATE: I've noticed a couple of google hits to this page. You must be interested in the March 26th Record Raid! I decided not to have this blog mix with my record fairs, but check out the website link below or hit up "Spring Record Raid" on Facebook


I swear I've been meaning to update this blog for a while, but I've been busy with all sorts of things, one of which is another record fair! This time in downtown New Orleans

Check out the facebook event

Or the website